Macedonia

 4,000 Years of Greek History and Civilization

In Halkidiki, in petralona cave, the remains were found of the first man to inhabit Greece. He lived on for tens of thousands of years with stones as his only tools.

Life took on another aspect in the Neolithic era.

By then men and women were born and died in sun-dried brick houses roofed with branches and reeds. They founded settlements and cultiviated the earth.

In their hands clay became a means of making utensils and art.

the small clay idols from Nea Nikomida (6.000 B.C) and the clay heads from Drama (4.000 B.C.) reveal their sensitivity and their attempts at self-expression.

Around the year 2.300 B.C. new groups of people appeared in Macedonia.

And the fate of the Greeks can be discerned in their traces. Little by little they learned to use metals, bronze to start with, later iron. Iron weapons, bronze jewelry,

decorative objects found in the funeral mounds at Vergina, indicate the level of civilization that those people had reached.

During the Archaic period, colonies founded by the Greeks of the south brought Macedonia into closer contact with the rest of the Greek world.

Pottery from Corinth and Athens travelled to Macedonia along with architectural elements from lonia.

In the classical era. the influence of southern greece became even more fertile and creative.

To the extent that King Alexander, a forefather of Alexander the Great, took part in the Olympic Games, which were closed non-Greeks.

The palace at Vergina played host to philosophers, poets, painters and musicians. Aristotle opened the way to European thought.

Masterpieces inflienced by the creative works of the lonians took on a different from in the hands of local artists.

Cities were built according to perfected plans.

Painters gave us inspired works on the walls of the walls of the palaces and royal tombs. Craftsmen did wonders with gold. This art eventually spread to the far reaches of the East and was assimilated by the populations there together with memories of Alexander.

The Great king lived on in hosts of myths lodged in the imagination of mediaeval man and were passed on to Renaissance Europe.

Christianity came to Macedonia when it was still in its infancy, brought by St. Paul himself, who travelled and taught on its soil.

Thessaloniki became the secound city of the Byzantine Empire. Grand and magnificent civil monuments, churches and monasteries were erected throughout Macedonia.

The early basilicas were followed by ecclesiastical architecture of all types.

At Kastoria there are dozens of churches whose interiors are decorated with the glowing portraits of archangels, saints and donors; in Veria, the church of Christ in famous for its colorful compositions; while nothing can compare with the jewels of the monastic state of Mt. Athos.

In Thessaloniki such monuments abound: there are fifty-seven churches and forty monasteries and dependencies, where the floors are decorated with mosaics and the vaulted ceilings with angels trumpeting to the heavens.

Everywhere you look there are example of Byzantine architecture and painting.

In Turkish-occupied Macedonia, everything came to ahalt until the moment when the Greeks were able to acquire some control over the region's economy in the 18th century.

The art of that era relied on the inspiration of the local craftsmen, whose superb work can be seen in the carved doors, pottery, costumes, gold and silver jewelry.

You can see them in Macedonia's old mansions and churches.

The icons painted then show such fear in the Virgin's expressions, fear for the fate of the Babe that she holds, the fate of her enslaved people.

The conquerors swept through Macedonia, pillaging as they went, until the day came when they were subdued by the effect of the civilization they encountered, which always had something new to show them.